For some reason this piece, Rejoice in the Lord alway, by George Rathbone, gives me the creeps. On the face of things it is a nice bright jolly tuneful composition in a major key, with no discords. It was probably written between the two world wars, in the British light music idiom. But it spooks me. Why should it have this effect? It could be that it is just too bright and jolly to be true, in the spirit of the muscular Christianity which came to the fore in British public schools in the second half of the nineteenth century and was a continuing theme until the 1960s, when, thank goodness, it faded away. Or is it just that the music is boring and vacuous? Or is it the associations it carries? It is exactly the kind of music that we were made to sing at school just after the war. To a listener whose childhood was in the 1940s, it taps directly into a stream of unpleasant memories: the smell of school dinners with overcooked cabbage and wet coats in cloakrooms, dingy classrooms, sit...