As a lay person in the pew, the important point is that the liturgy is not celebrated in such a way as to be an obstacle to worship. The guidelines are clear. They were set out after Vatican 2 in
Sacrosanctum Concilium. The texts are given in the liturgical books, such as
Graduale Romanum. Latin should be used except for the sermon and readings from scripture. The approved form of music is Gregorian chant and the polyphony that is derived from it. There is no place for Protestant hymns, or folk hymns derived from popular music, nor is there any real requirement for new music in the liturgy. Or to rock for Jesus. There is also a need to exercise restraint, for example, at the Sign of Peace. However, the parish where these principles are observed is rare indeed.
Thus the document
Sacramentum Caritatis. is timely. A few extracts follow, relating to the points just mentioned.
Art at the
service of the liturgy
41. The
profound connection between beauty and the liturgy should make us attentive to
every work of art placed at the service of the celebration.
Certainly an important element of sacred art is church architecture,
which should highlight the unity of the furnishings of the sanctuary, such as
the altar, the crucifix, the tabernacle, the ambo and the celebrant's chair.
Here it is important to remember that the purpose of sacred architecture is to
offer the Church a fitting space for the celebration of the mysteries of faith,
especially the Eucharist. The very nature of a Christian church
is defined by the liturgy, which is an assembly of the faithful (
ecclesia)
who are the living stones of the Church (cf.
1 Pet 2:5).
This same
principle holds true for sacred art in general, especially painting and
sculpture, where religious iconography should be directed to sacramental
mystagogy. A solid knowledge of the history of sacred art can be advantageous
for those responsible for commissioning artists and architects to create works
of art for the liturgy. Consequently it is essential that the education of
seminarians and priests include the study of art history, with special reference
to sacred buildings and the corresponding liturgical norms. Everything related
to the Eucharist should be marked by beauty. Special respect and care must also
be given to the vestments, the furnishings and the sacred vessels, so that by
their harmonious and orderly arrangement they will foster awe for the mystery of
God, manifest the unity of the faith and strengthen devotion.
Liturgical
song
42. In the
ars celebrandi, liturgical song has a pre-eminent place. Saint Augustine rightly says in a famous sermon that "the new man sings a new
song. Singing is an expression of joy and, if we consider the matter, an
expression of love". The People of God assembled for the liturgy
sings the praises of God. In the course of her two-thousand-year history, the
Church has created, and still creates, music and songs which represent a rich
patrimony of faith and love. This heritage must not be lost. Certainly as far as
the liturgy is concerned, we cannot say that one song is as good as another.
Generic improvisation or the introduction of musical genres which fail to
respect the meaning of the liturgy should be avoided. As an element of the
liturgy, song should be well integrated into the overall celebration.
Consequently everything – texts, music, execution – ought to correspond to the
meaning of the mystery being celebrated, the structure of the rite and the
liturgical seasons. Finally, while respecting various styles and
different and highly praiseworthy traditions, I desire, in accordance with the
request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed
and employed as the chant proper to the Roman liturgy.
43. After
mentioning the more significant elements of the
ars celebrandi that
emerged during the Synod, I would now like to turn to some specific aspects of
the structure of the eucharistic celebration which require special attention at
the present time, if we are to remain faithful to the underlying intention of
the liturgical renewal called for by the
Second Vatican Council, in continuity
with the great ecclesial tradition.
The intrinsic
unity of the liturgical action
44. First of
all, there is a need to reflect on the inherent unity of the rite of Mass. Both
in catechesis and in the actual manner of celebration, one must avoid giving the
impression that the two parts of the rite are merely juxtaposed. The liturgy of
the word and the Eucharistic liturgy, with the rites of introduction and
conclusion, "are so closely interconnected that they form but one single act of
worship." There is an intrinsic bond between the word of God and
the Eucharist. From listening to the word of God, faith is born or strengthened
(cf.
Rom 10:17); in the Eucharist the Word made flesh gives himself to us
as our spiritual food. Thus, "from the two tables of the word of
God and the Body of Christ, the Church receives and gives to the faithful the
bread of life." Consequently it must constantly be kept in mind
that the word of God, read and proclaimed by the Church in the liturgy, leads to
the Eucharist as to its own connatural end.
The liturgy of
the word
45. Together
with the Synod, I ask that the liturgy of the word always be carefully prepared
and celebrated. Consequently I urge that every effort be made to ensure that the
liturgical proclamation of the word of God is entrusted to well- prepared
readers. Let us never forget that "when the Sacred Scriptures are read in the
Church, God himself speaks to his people, and Christ, present in his own word,
proclaims the Gospel". When circumstances so suggest, a few
brief words of introduction could be offered in order to focus the attention of
the faithful. If it is to be properly understood, the word of God must be
listened to and accepted in a spirit of communion with the Church and with a
clear awareness of its unity with the sacrament of the Eucharist. Indeed, the
word which we proclaim and accept is the Word made flesh (cf.
Jn 1:14);
it is inseparably linked to Christ's person and the sacramental mode of his
continued presence in our midst. Christ does not speak in the past, but in the
present, even as he is present in the liturgical action. In this sacramental
context of Christian revelation, knowledge and study of the word
of God enable us better to appreciate, celebrate and live the Eucharist. Here
too, we can see how true it is that "ignorance of Scripture is ignorance of
Christ".
To this end,
the faithful should be helped to appreciate the riches of Sacred Scripture found
in the lectionary through pastoral initiatives, liturgies of the word and
reading in the context of prayer (
lectio divina). Efforts should also be
made to encourage those forms of prayer confirmed by tradition, such as the
Liturgy of the Hours, especially Morning Prayer, Evening Prayer and Night
Prayer, and vigil celebrations. By praying the Psalms, the Scripture readings
and the readings drawn from the great tradition which are included in the Divine
Office, we can come to a deeper experience of the Christ-event and the economy
of salvation, which in turn can enrich our understanding and participation in
the celebration of the Eucharist.
The homily
46. Given the
importance of the word of God, the quality of homilies needs to be improved. The
homily is "part of the liturgical action", and is meant to
foster a deeper understanding of the word of God, so that it can bear fruit in
the lives of the faithful. Hence ordained ministers must "prepare the homily
carefully, based on an adequate knowledge of Sacred Scripture".
Generic and abstract homilies should be avoided. In particular, I ask these
ministers to preach in such a way that the homily closely relates the
proclamation of the word of God to the sacramental celebration and the life of the community, so that the word of God truly becomes the
Church's vital nourishment and support. The catechetical and
paraenetic aim of the homily should not be forgotten. During the course of the
liturgical year it is appropriate to offer the faithful, prudently and on the
basis of the three-year lectionary, "thematic" homilies treating the great
themes of the Christian faith, on the basis of what has been authoritatively
proposed by the Magisterium in the four "pillars" of the
Catechism of the
Catholic Church and the recent
Compendium, namely: the profession of
faith, the celebration of the Christian mystery, life in Christ and Christian
prayer.
The sign of
peace
49. By its
nature the Eucharist is the sacrament of peace. At Mass this dimension of the
eucharistic mystery finds specific expression in the sign of peace. Certainly
this sign has great value (cf.
Jn 14:27). In our times, fraught with fear
and conflict, this gesture has become particularly eloquent, as the Church has
become increasingly conscious of her responsibility to pray insistently for the
gift of peace and unity for herself and for the whole human family. Certainly
there is an irrepressible desire for peace present in every heart. The Church
gives voice to the hope for peace and reconciliation rising up from every man
and woman of good will, directing it towards the one who "is our peace" (
Eph
2:14) and who can bring peace to individuals and peoples when all human
efforts fail. We can thus understand the emotion so often felt during the sign
of peace at a liturgical celebration. Even so, during the Synod of Bishops there
was discussion about the appropriateness of greater restraint in this gesture,
which can be exaggerated and cause a certain distraction in the assembly just
before the reception of Communion. It should be kept in mind that nothing is
lost when the sign of peace is marked by a sobriety which preserves the proper
spirit of the celebration, as, for example, when it is restricted to one's
immediate neighbours.